Film Work
September 1st, 2010As I said in the previous post – my adventures in early August did not end with attending a spectacular air show in Michigan. In mid July I was contacted by a close ‘re-enacting’ friend regarding being an extra in a film being produced in Michigan.
This friend had be contacted by a film studio – Ten West Studios – to discuss the viability of providing uniformed reenactors as extras in an up-and-coming WWII movie they were producing. The film, Return to the Hiding Place, follows the exploits of Dutch Resistance fighters during the German occupation of Holland during WWII. Principle shooting was to occur in Holland, Michigan as well as at the historical location of Harlem, in the Netherlands.
My friend was able to locate a good number of volunteers to participate in the filming, but additional people were required – and to say I was flattered when he called me to see whether I was interested or not is an understatement. Thankfully my work schedule – and already existing plans to be in Michigan during the scheduled shooting dates – allowed for me to participate without much problem. After finalizing details of my involvement and arranging for needed uniform changes (the uniformed extras were to be wearing SS uniforms, which I don’t have), I made the requisite plans to attend.
Arriving on location on Wednesday afternoon, I was informed that all the uniformed reenactors scheduled for that date were ‘On Call’ for shooting that evening, and that I was to remain with the rest and wait for the call arrive on set. We spent the majority if the evening playing cards and getting to know one another – a few of the faces were familiar to me, but a few hours of losing at playing cards and making inappropriate jokes with one-another builds a considerable amount of camaraderie. At around 3am, we considered ourselves off the hook and many of us attempted to sleep.
Thursday we spent enjoying the sights and sounds of downtown Holland, Michigan. This quaint little town has amazing architecture and a thriving artistic element. I couldn’t believe the amount of street performers that arrived to entertain on what appeared to be a veritable ‘shift’ system. I spent the majority of the afternoon at ‘JP’s Coffee House’, which also is home to the MidWestern Barista School. JP’s offered WiFi internet service through a contracted company called WEBbeams. While I am not a fan of ‘Pay-to-Play’ WiFi internet usage at commercial locations, I understand the profitability that is possible through harnessing this as a consumable product (especially when you consider that WiFi as a consumable product may not exist for long before it is eclipsed by Mobile-Hotspot enabled devices [read, Cellphone or other peripherals]). The service was satisfactory, if not expensive.
Thursday night, we were told to arrive on set in the early evening, and we were all eager to do so. Actor Gary Moore visited us upon our arrival and posed for pictures, his excitement and wonder at our gear and equipment quite evident. We then posed for a group shot in front of Holland’s replica Windmill, giving ‘Windmill Island’ where were shooting its name.

The German 'Extras' pose before the Windmill in Holland, MI - the author standing at left.
The shot we were being used in that night involved our German element proceeding down a rural road with one of the trucks (the one that I was riding in) transporting eleven civilian prisoners, ostensibly for their incarceration or execution. Our three vehicle convoy comes under attack from elements of the Dutch resistance led by the main character, Piet Hartog (played by actor Craig Robert Young). In the ensuing firefight, I am killed in particularly spectacular fashion by the main character when I snatch up one of the civilian passengers and attempt to use her as a human shield. This sequence of shots was filmed from twenty or so different camera angles and required the entire night’s worth of filming. It was exhausting, but absolutely exhilarating.
Friday morning I left Holland, MI and journeyed to visit friends about an hour north in the Grand Haven area for the afternoon, before continuing on to Ypsilanti for the Air Show until Sunday afternoon.
From the airshow I spent a night south of Jackson, MI with friends, before carpooling on Monday with another extra to Manistee, MI. Tuesday we arrived on set at the Douglas Valley Organic Vineyard Community north of town for a sequence of shots spanning the afternoon and into the evening. It was there that I had my first encounter and experience with ‘Make-Up’ for a film production, with Daniel Phillips covering up my blemishes and powdering my nose.
The Author relaxing (center) with the principle antagonist of the film, at right.
Near the end of filming on Tuesday, I was approached by the movie’s Visual Effects Supervisor, Dustin Solomon, regarding whether I would feel comfortable delivering some lines the following day. With excitement – and also some trepidation – I accepted.
The final day of shooting found me quite nervous – I spent the majority of the afternoon pacing by myself in an empty section of the cavernous 10 West Studios main soundstage – an old Iron Foundry near downtown Manistee. We recorded my scene in the afternoon, captured it from multiple angles, and later re-recorded my dialogue in a ‘soundbooth’. The final shot for me on set was a sequence of me and two other uniformed extras patrolling the ‘city street’ built within the foundry’s main sound stage.
I can honestly say that I was absolutely floored by my involvement in this production, and how exciting and amazing the whole experience has become. The simple advice given to me by a close friend before my involvement -
- Say ‘Thanks!’
- Volunteer.
… was perfect. I can only hope to be so lucky to experience something like this again.
I’d like to extend a sincere ‘Thank you!’ to all who made this a reality.


